On askewness (and rationalization)
by look i have opinions
“I’m drawn to art in which things are a little askew. Straight realism isn’t very interesting to me; I like to see the interference of consciousness, the way perception is muddied by a unique interpreting mind. El Greco’s paintings are eccentric, strange, willful; I loved them. Standing in front of his Portrait of Fray Hortensio, I couldn’t help wondering what an editor would make of it: the obviously strange angle of the back of the chair, for instance, or the weird positioning of the hands. Wouldn’t an editor want to make those less strange, to straighten those things out? And yet wasn’t their strangeness the key to the greatness of the painting?
“A favorite teacher of mine in music school, a composer, used to talk about the importance of the right wrong note, the eccentricity that both surprises and feels immediately inevitable. I’m suspicious of the arguments we make to justify our opinions about art, especially art we’ve made. I’m not particularly given to confidence in my judgment; I can justify anything, I sometimes think. Working on revisions to my novel, I found that I couldn’t judge the validity of my editor’s criticisms until I had worked through a new version of a passage. Only then, when I had done the work—I always resist work, I’m the laziest person I know—could I see the virtues and flaws of what I had made.”
—Garth Greenwell (here, found via The Millions)