On interestingness as a driving force in fiction
by look i have opinions
“Proust succeeds, in my opinion, by being interesting on every single page. [In Search of Lost Time/Remembrance of Things Past] is one of the few philosophical novels, for instance, that actually has something to say. Proust’s ideas on art, on society, on love, on politics, are fascinating. It’s like going to dinner with the most interesting person you’ve ever met.
“And there’s also a certain moment to moment ingenuity. Unexpected things happen. People change in odd and striking ways. And, of course, the sentences are amazing. I hesitate to call them good or beautiful (because no one except Proust should ever attempt to write like this), but they are an experience. The nearest thing I can compare him to, in English, is Samuel Johnson: a writer who says, in page-long sentences, the kind of thoughts that can only really be expressed in page-long sentences.
“But none of this is any good to the aspiring writer of fiction, of course. And by giving writers the notion that they don’t need story—they just need to be interesting!—I’m pretty sure Proust has harmed many more writers than he’s helped.”
—Rahul Kanakia (x)