On freezing action in fiction

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“It’s great to freeze action, you know. You can’t do it if you’re just sitting on the couch, because you’ll lose your reader every time. So Tobias Wolff does it by way of, you know, this bullet, and Steven Polansky does it by way of being stuck between second and third. So it gives you the narrative momentum to be able to digress because you know that you can keep your reader, you know, on the hook, essentially. And you can stretch that time as long as you want, as long as you just kind of keep the touchstones of what’s going on in the present, you know, situation.”

—David Gilbert, talking to Deborah Treisman on the November 2014 New Yorker Fiction Podcast

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